A children's poem I wrote using the Storybird app:
Meliae
Monday, 30 June 2014
Tuesday, 25 February 2014
Life on the frontline
Last week I
attended the SiMODiSA forum set-up for South Africa’s entrepreneurs and
investors to help promote the conditions necessary for entrepreneurial activity
to flourish – something South Africa desperately needs. Malik Fal from the
Omidyar Network opened up with some powerful numbers:
There are 50
million South Africans of which 15 million are economically active. Of these, 10
million are employed with only 5 million earning sufficient income to be registered
taxpayers. This is a ticking time bomb,
as he said.
Ultimately, this trajectory
will not lead to a stable and prosperous society unless something dramatically
changes. While small pockets of VC funding exists, our local VC industry is
still in its infancy and there is not nearly enough capital available for them
to invest in the promising businesses they see, particularly for funding rounds
greater than R20m.
At Triggerfish,
we were fortunate to raise development funding from the Business Partners
Venture Fund who stepped-up to the plate after we approached over 130 investors
in the last two years. Their funding gives us the resources we need to continue
with our development work so that we don’t lose momentum.
Triggerfish is
already a significant scalable global business, with multi-million dollar
revenues, producing a world-class product into a multi-trillion dollar industry
undergoing rapid change. We have distributors around the world and there is
simply no company better placed than us to change the way the world sees Africa
- tens of millions of people in over 70 countries will see our movies.
Despite all of
this, it was still incredibly difficult for us to raise money. One significant
corporate investor turned us down because they couldn’t accurately calculate their Return-On-Investment. This is
impossible to calculate for a high-risk, growth investment. Instead the focus
should be on whether or not the opportunity is real and the management team.
I believe the
funding problem exists across the entire SME sector including the township fruit-vendor
to middle-class kids working on the next big thing from their bedroom. Apartheid
effectively put a bubble on South Africa’s economy and even though it’s ended,
the bubble remains. The political and economic environment is not conducive to
the growth of SMEs. At Triggerfish we have bumped up against every hurdle from
constrictive IP regulations to exchange controls and funding. We know how hard
it is.
Besides the
difficult regulatory environment, the shortage of risk capital is probably the biggest
challenge we face. We cannot expect to build the economy we need unless we
start to believe in ourselves and invest in our own entrepreneurs. If people
are unable to feed their families or find decent work, social unrest quickly
follows. There has to be the hope that people can do something for themselves. Small
business will be key to South Africa’s future.
Koos Becker is
stepping down from Naspers after finding incredible success with Chinese
entrepreneur, Pony Ma, who founded Tencent. News24 reports that he hopes “to travel to places like Seoul and San
Francisco where the future is being manufactured, and see if there are new
technologies we should be trying out.” I would love to invite Mr Becker to
come visit us at Triggerfish to see how we are manufacturing the future not 20
minutes from the headquarters of Naspers.
If we’re not prepared to invest in local entrepreneurs, our future will look more like the riots in Venezuela or the Ukraine. South African corporates and investors need to enable funding to SMEs to kick-start growth. They need to boldly lift their appetite for risk.
At Triggerfish we are putting in place a plan to raise further funding from overseas. The risk capital we need is not available here and we cannot wait any longer. Great businesses are not started off the back of great spreadsheets. On paper it will never make sense. Like climbing Everest, it is a bloody-minded act of the will that starts with the heart and we need to find investors, with the resources and risk appetite, who understand this.
If we’re not prepared to invest in local entrepreneurs, our future will look more like the riots in Venezuela or the Ukraine. South African corporates and investors need to enable funding to SMEs to kick-start growth. They need to boldly lift their appetite for risk.
At Triggerfish we are putting in place a plan to raise further funding from overseas. The risk capital we need is not available here and we cannot wait any longer. Great businesses are not started off the back of great spreadsheets. On paper it will never make sense. Like climbing Everest, it is a bloody-minded act of the will that starts with the heart and we need to find investors, with the resources and risk appetite, who understand this.
Friday, 14 February 2014
Be my Valentine
Stop by the flowerbeds
And smell the petal scent -
The blood red rush
Of roses
In the verdant air.
Tear the roots
From the soil,
And let the thorns
Pierce your skin
Deeply
With the urgency
Of pain.
Don’t flinch -
This is what
My love for you
Is like.
Displacement.
Red
Blood
Red
Pain.
by Jean-Michel K.
Pain.
by Jean-Michel K.
Wednesday, 5 February 2014
Dreams
It is later than late,
the simmered down darkness
of the jukebox hour.
The hour of drunkenness
and cigarettes.
The fools hour.
In my dreams,
I still smoke, cigarette after cigarette.
It's okay, I'm dreaming.
In dreams, smoking can't kill me.
It's warm outside.
I have every window open.
There's no such thing as danger,
only the dangerous face of beauty.
I am hanging at my window
like a houseplant.
I am smoking a cigarette.
I am having a drink.
The pale, blue moon is shining.
The savage stars appear.
Every fool that passes by
smiles up at me.
I drip ashes on them.
There is music playing from somewhere.
A thready, salt-sweet tune I don't know
any of the words to.
There's a gentle breeze making
hopscotch with my hair.
This is the wet blanket air of midnight.
This is the incremental hour.
This is the plastic placemat of time
between reality and make-believe.
This is tabletop dream time.
This is that faint stain on your mattress,
the one you'll discover come morning,
and wonder how.
This is the monumental moment.
The essential: look at me now.
This is the hour.
Isn't it lovely? Wake up the stars!
Isn't it fabulous? Kiss the moon!
Where is the clock? The one that
always runs ahead. The one
that always tries to crush me with
its future.
by Lisa Zaran
the simmered down darkness
of the jukebox hour.
The hour of drunkenness
and cigarettes.
The fools hour.
In my dreams,
I still smoke, cigarette after cigarette.
It's okay, I'm dreaming.
In dreams, smoking can't kill me.
It's warm outside.
I have every window open.
There's no such thing as danger,
only the dangerous face of beauty.
I am hanging at my window
like a houseplant.
I am smoking a cigarette.
I am having a drink.
The pale, blue moon is shining.
The savage stars appear.
Every fool that passes by
smiles up at me.
I drip ashes on them.
There is music playing from somewhere.
A thready, salt-sweet tune I don't know
any of the words to.
There's a gentle breeze making
hopscotch with my hair.
This is the wet blanket air of midnight.
This is the incremental hour.
This is the plastic placemat of time
between reality and make-believe.
This is tabletop dream time.
This is that faint stain on your mattress,
the one you'll discover come morning,
and wonder how.
This is the monumental moment.
The essential: look at me now.
This is the hour.
Isn't it lovely? Wake up the stars!
Isn't it fabulous? Kiss the moon!
Where is the clock? The one that
always runs ahead. The one
that always tries to crush me with
its future.
by Lisa Zaran
Tuesday, 4 February 2014
Into Air
I saw the stars
twisting through the void
in great purple clouds
of dust and magic.
I heard the universe
breathing in sunbeams
washed in rolling shores
and cloud.
I saw shooting stars
speak of paradise
across the mountain tops,
and the desert tree
celebrate the burning sun.
I heard the footsteps
of light fall
on ancient rock
whispering stories from
this end of time to that.
And somewhere,
I lost my mind
between midnight
and first light
and you were singing
in space with words
that vanished into air.
that vanished into air.
by Jean-Michel K.
Friday, 20 September 2013
Sunday, 15 September 2013
Nailed to the Sky
I love the intensity of this poem by the writer Robert Warrington ...
Nailed to the Sky
If only I had any idea what you did
on hot blue Saturdays
If I knew where you were likely to be
I could create the conditions
to run in to you by accident
Not knowing
not even being able to guess
I walk from the suburbs of purgatory
to the bus terminus from hell
hoping for a miracle glimpse
of your skittering, jittery shadow
on latter-day pavements
with medieval beginnings
or that the crowd
drifting towards the shopping centre
with the stained glass windows
will part and reveal you
standing like an icon
in the exact spot
where hawkers and peddlers
once sold splinters of the true cross
But there are no places
marked with the X
of your sainted bones
only the X
of my petrified hopes
and calcified desires
You’re somewhere else
moving on glittering heels
through someone else’s summer
leaving mine
to visions of high street vendors
with onion ring halos
and no one’s selling anything
that can fill the you-shaped hole
Even the council begonias
become instruments of torture
Their stems are nails
Their petals nail-heads
You hammer them in by being elsewhere
You hammer them in without meaning to
All summer long
I hang above the town
nailed to the sky
suspended
in a clear solution
as acrid as alchemist’s
sulphurous clouds
You put me here
and only you can get me down
Only your cool
claw hammer fingers
can pull out these nails
that open and flower
(by Robert Warrington)
Nailed to the Sky
If only I had any idea what you did
on hot blue Saturdays
If I knew where you were likely to be
I could create the conditions
to run in to you by accident
Not knowing
not even being able to guess
I walk from the suburbs of purgatory
to the bus terminus from hell
hoping for a miracle glimpse
of your skittering, jittery shadow
on latter-day pavements
with medieval beginnings
or that the crowd
drifting towards the shopping centre
with the stained glass windows
will part and reveal you
standing like an icon
in the exact spot
where hawkers and peddlers
once sold splinters of the true cross
But there are no places
marked with the X
of your sainted bones
only the X
of my petrified hopes
and calcified desires
You’re somewhere else
moving on glittering heels
through someone else’s summer
leaving mine
to visions of high street vendors
with onion ring halos
and no one’s selling anything
that can fill the you-shaped hole
Even the council begonias
become instruments of torture
Their stems are nails
Their petals nail-heads
You hammer them in by being elsewhere
You hammer them in without meaning to
All summer long
I hang above the town
nailed to the sky
suspended
in a clear solution
as acrid as alchemist’s
sulphurous clouds
You put me here
and only you can get me down
Only your cool
claw hammer fingers
can pull out these nails
that open and flower
(by Robert Warrington)
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